I just added scans of ‘American Cinematographer’s June issue, talking about The Iceman:
Total Film UK has on their July issue a 4-pages and a review for ‘The Iceman’ – which gave the movie 4 stars and praises for Shannon’s performance – and I have scans up in the gallery.
“Written by Vromen and Morgan Land, the script steams from two sources: Anthony Bruno’s 1993 true-crime novel and James Thebault’s 1992 HBO documentary, featuring interviews with Kuklinski in jail. Seeing the doc just two months after his subject died behind bars, in May 2006, Vromen resolved to make a feature. From the outset, he was obsessed with casting Shannon. Rejecting other, more bankable stars, the project fell apart three times. “I said to everybody ‘I will burn this script if it’s not Michael Shannon’. I just had a meal with him – and I was terrified!”
He wasnt the only one. Enter Winona Ryder, who plays Kuklinski’s wife Deborah (real name: Barbara). She remembered shooting a domestic argument scene with Shannon. ‘It was written that he was supposed to say these things to me, then go out into the garage and get into the car and take it out of the steering wheel,’ says the actress. ‘He wasn’t supposed to flip the table over! I was genuinely scared. After the take, I burst into tears. He was bleeding, he had cut himself, and I didn’t expect all that.”
As you can see, we have a new look up here! I really love our previous one, but I couldn’t help changing it using this beautiful pictures of Interview magazine. The gallery has a matching theme as well, and I would like to thanks OhMyMorning for the theme base. The site’s content are going to be updated sometime this week, so keep checking. Don’t forget to follow us on Twitter and Facebook as well.
Let me know if you have any error, I have tested the layout but we never know. I hope you like it as much as I did.
Winona has an interview published on this month Fashion magazine, and you can find the scans up in the gallery. She’s talking about growing up (a very recurrent subject on her recent interviews, actually…) and her career.
“In the ’90s I experienced a lot of success, and to be honest, I wasn’t expecting it to last. You’re told that you get a couple of years if you’re lucky. It was great, but it came with a lot of pressure,” Ryder reflects. “I wasn’t like, ‘Boo hoo, poor me,’ but I realized that I want a home and I want to spend time with my family and friends. It takes something very special for me to want to leave that now.”
The website ParArmenian.Net is reporting that Winona, Ralph Fiennes, Helena Bonhan Carter and Christopher Walken are joining the ‘Page 8′ sequels.
The first installment, Page Eight, aired in 2011 on BBC Two and PBS and starred Bill Nighy, Rachel Weisz, Ralph Fiennes, Michael Gambon and Judy Davis. Nighy will reprise his role as British intelligence officer Johnny Worricker for parts two and three, respectively titled Turks & Caicos and Salting The Battlefield. Fiennes also returns for both. Turks & Caicos is adding Christopher Walken, Winona Ryder, Helena Bonham Carter, Ewen Bremner, James Naughton, Dylan Baker and Zach Grenier. Davis, who was nominated for a supporting actress Emmy for Page Eight, will return for Salting The Battlefield as will Bonham Carter and Bremner along with Saskia Reeves, Kate Burdette and Malcolm Sinclair.
Page Eight, which closed the Toronto Film Festival in 2011, saw Worricker uncover a plot to turn control of MI5 directly over to the prime minister after the head of the organization’s death. Part two will pick up after Worricker leaves his MI5 post and heads to Turks & Caicos where the CIA forces him to deal with a group of ambiguous Americans who are on the islands for a high-level conference. At the same time, an old girlfriend is being asked to betray her boss in London in order to establish an illicit connection between the prime minister and dark goings-on in the war on terror. Salting The Battlefield sees Worricker and the girlfriend on the run from MI5 until Worricker returns home to confront the prime minister in a duel of wits.
Both films are produced by Harry Potter‘s David Heyman and David Barron along with Celia Duval. Exec producers are Carnival’s Gareth Neame and Nigel Marchant and the BBC’s Christine Langan. A start date has yet to be confirmed.
By Stephen Mooallen for Interview Magazine
Winona Ryder knows her Simple Minds—and not just “Don’t You (Forget About Me),” to which she enthusiastically lip-synchs while propped up on her elbows on a dark red comforter on the set of our cover shoot. “Will you recognize me, call my name, or walk on by? Rain keeps falling, rain keeps falling, down, down, down, dooowwwnnn . . .” But like most things with Ryder, her connoisseurship is not half-assed. She requests deeper cuts, like “Alive and Kicking,” off the band’s Once Upon a Time (1985) album: “Staaayyy . . . until your love . . . is . . . love . . . is . . . a-live and kicking!” We listen to that one twice, which is probably appropriate since Ryder’s own romance with acting—that thing that kept her very busy throughout most of her teens and her twenties—is a recently rekindled affair. She will appear in two films this year, the second of which, Gary Fleder’s drug-lord drama Homefront, with James Franco and Jason Statham, is due out this fall. The first of them, though, hits theaters this month: Ariel Vromen’s The Iceman, a period piece set mostly in the 1960s and ’70s that stars Michael Shannon as Richard Kuklinski, a real-life contract killer for the mob in New York and New Jersey who is said to have murdered more than 100 people. The real Kuklinski, who was arrested in 1986 and died in prison in 2006, is said to have hid his bloody business from his wife, Barbara, who is played in the film by Ryder (the character is renamed Deborah), while she and their two daughters enjoyed a life of relatively affluent suburban idyll. The film is dark, at times difficult, and unlike anything that Ryder has ever done. But in her hands, Deborah emerges as something much more complicated than a dutiful wife—in one sense, a sympathetic figure, but in another, a woman whose blindness seems as much a product of a darker, more conflicted willfulness as ignorance.
I spoke with the 41-year-old Ryder recently in New York.
STEPHEN MOOALLEM: I heard that you’ve been under the weather.
WINONA RYDER: I don’t know if it’s a cold—it’s just that my voice was kind of going. But it’s back, so I’m actually okay. In a weird way, I was actually hoping that whatever voice thing I’ve got could stay so that I could sort of have a Debra Winger thing going on. I’ve always loved her voice. But it’s getting better, so I’m going to sound like me.
MOOALLEM: Well, you can take advantage of it while it lasts. I’m just going to make sure that we’re recording. Our recorders are digital now, and for some reason, I always doubt that they’re recording.
RYDER: And they used to do this with tape recorders . . . The world.