Winona is featured on the latest People magazie issue (May 30th, already on stands). They’re talking about her “return”- yeah, I know, every single project is the same celebration – plus, they have a new image of her in Stranger Things. Check the digital scan up in our gallery.
About doing TV this time, and not a film, she said: “Film is more what I’m used to, but this felt like we were making an eight-hour movie.”
Winona graced the cover of Sunday Times Style magazine this past Sunday (February 28), in a great interview by Edwina Ings-Chambers and photograph by Phil Poynter. I wasn’t able to get proper scans of the magazine yet, but my friend Lindsey got the article for us, which you can read under the cut tag.
Check also in our gallery some images of the editorial. So. Pretty.
Winona is The Beloved, in the current issue of Interview magazine, along actresses Saoirse Ronan, Jodie Foster and Charlotte Gainsbourg. We have updated our gallery with images from the photoshoot, and you can read the article below.
It’s hard to talk about Winona Ryder without at least acknowledging the mythos that surrounded her as she came to define a certain authentic cool in the early ’90s. Doe-eyed and dark-haired, Ryder appeared, for young people who identified outside the mainstream, to be a kindred spirit. She entered pop consciousness in late ’80s as a cult-movie ingénue of sorts, first as the goth pixie Lydia Deetz in Tim Burton’s absurdist Beetlejuice (1988), and then as Veronica, a too-smart recruit to the mean-girls clique, in the dark revenge comedy Heathers (1989). Soon after, she established her indie cred in Jim Jarmusch’s Night on Earth (1991) and embodied the Gen X zeitgeist in Ben Stiller’s Reality Bites (1994), in effect, becoming an icon of quirky angst, and in the process, revealing herself to be one of the most precociously talented actresses of her generation.
Growing up in San Francisco and, for four years, in a commune in Northern California, Ryder fell in love with film watching the greats: Bette Davis, Gena Rowlands, Ruth Gordon, and Audrey Hepburn. And, now 44, she’s built her own body of work by making shrewd choices those actresses would approve of, including last year playing a tough city councilwoman in David Simon’s HBO miniseries Show Me a Hero. Ryder will next star in the Netflix supernatural-thriller series Stranger Things, as well as the spring beauty campaign for her longtime friend, the designer Marc Jacobs.
In February, Ryder met with her friend, fellow actress and Rookie editor-in-chief Tavi Gevinson to talk about film and favorite actresses. Gevinson, who will appear, beginning this month, in the Broadway production of The Crucible, where she plays Mary Warren, came prepared, and the two dived in.
The current issue of Sci-Fi Now magazine is featuring on its retro classic session, to celebrate the 25th anniversary of the film. Thanks to Claudia for sending in to our way.
Added some great scans from Vogue on its 1992 issue, when Winona was promoting Dracula. Thanks to The Fashion Spot for it. Also, scans of March issue of Elle are also added, Winona was mentioned as Style Legends.
The September issue (with Rihanna on cover) has a special feature named Scorsese’s Women. Five actresses who have starred in Martin Scorsese’s films come together in an imaginary cinematic scenarios – photographed by Steven Klein. Jodie Foster, Sharon Stone, Juliette Lewis, Jessica Lange and Winona Ryder are part of it and you can find the scan of Winona’s photo in our gallery.