The current issue of Sci-Fi Now magazine is featuring on its retro classic session, to celebrate the 25th anniversary of the film. Thanks to Claudia for sending in to our way.
Added some great scans from Vogue on its 1992 issue, when Winona was promoting Dracula. Thanks to The Fashion Spot for it. Also, scans of March issue of Elle are also added, Winona was mentioned as Style Legends.
The September issue (with Rihanna on cover) has a special feature named Scorsese’s Women. Five actresses who have starred in Martin Scorsese’s films come together in an imaginary cinematic scenarios – photographed by Steven Klein. Jodie Foster, Sharon Stone, Juliette Lewis, Jessica Lange and Winona Ryder are part of it and you can find the scan of Winona’s photo in our gallery.
Time flies! This year Heathers is turning 25 years old, and Entertainment Weekly gave us a really great interview with Winona, Christian Slater, producer Denise Di Novi, Director Michael Lehmann and writer Daniiel Waters.
Winona Ryder – I’ve always held the original script of Heathers among the great literature that I’ve ever read. For me, it’s like Ezra Pound, Philip Roth, Saul Bellow, and Daniel Waters, you know?
Check digital scans up in our gallery:
Winona Ryder and I are sitting side by side in silence on a sofa in the bar of Chateau Marmont, holding our palms upturned and outstretched.
â€œYou see,â€ she says with a smile. â€œIt frees you up, doesnâ€™t it? Everything sort of comes to the surface.â€
The star of Heathers, Girl Interrupted and Black Swan â€“ an actress who has been reductively if accurately described as â€œthe poster girl for the 1990sâ€ â€“ has been telling me about â€œthis weird thing I do if I have to get emotional in a film. It always works.â€ She doesnâ€™t just want me to take her word for it; she wants me to try it. Which I do because this is Los Angeles and nobody would bat an eyelid if you were to assume the lotus pose in the middle of a bar and start chanting, â€œOm shanti, shanti.â€ But also, simply, because Ryder wants me do it.
Something about the actress draws you in from the outset, making you want to befriend and protect her â€“ both uncomfortable sensations for an interviewer. She talks in open-ended sentences, dipping in and out of whispers and veering off on tangents.